Environnements sonores 3 – 1994-95
Oxalis, Epilobe

Ce n’est plus ma musique qui parle, c’est ma musique qui fait parler le lieu.

Durant les années 1993 et 94, la mise à disposition d’un atelier de plusieurs centaines de m2 en plein Paris, gracieusement prêté par la famille Lopato, va permettre un vaste champ d’expérimentation et d’entraînement (notamment pour Nadir).

{épilobe photo}

Il va en résulter pour les Environnements Sonores une révolution interne,   la musique n’étant plus au centre de la problématique. J’utilise alors des sons de très basses fréquences dont la source instrumentale (instruments à cordes principalement) n’est plus identifiable. Les prises de son sont transposées dans le grave, jusqu’au seuil de l’audition. Au stade final de leur transformation, certains sons ne sont plus audibles et d’autres ne peuvent plus être transmis par les membranes des haut-parleurs. Ainsi je ne diffuse plus de la musique, mais mon intervention vise à révéler le son du lieu, à révéler les caractéristiques de l’espace dans lequel j’ai construit l’environnement. Ce n’est plus ma musique qui parle, c’est ma musique qui fait parler le lieu. Les haut-parleurs sont placés au sol ou plaqués contre les murs, les lambris. Cette « musique » paradoxale (en huit pistes) est transmise par les haut-parleurs aux matières constitutives des lieux.

Ces matières, suivant leurs natures, apportent différentes réponses acoustiques. La bande magnétique et la musique sont donc les déclencheurs permettant de révéler l’identité du lieu. La salle devient la caisse de résonance dans laquelle est immergée le visiteur. Le visiteur est sollicité tant par les sens de la vue, de l’ouie que par le sens du toucher.

 

 

1994

OXALIS 

Paris, rue du faubourg St Martin

Environnement « Oxalis » du 19 au 21 mai 1994, au cours d’une manifestation collective et pluridisciplinaire au 252 rue du faubourg St Martin, Paris :

Alors que pour mes pièces antérieures, je n’ai fait que réaffirmer leur caractère musical, Oxalis est mon premier travail sonore pouvant échapper au domaine musical. Oxalis se pose avant tout comme une expérimentation sonore. L’idée ici a été de construire une « musique » exclusivement en fonction de la réponse prévisible de l’environnement.

Oxalis est donc bâti sur des paradoxes sonores :

– Pour une part, Oxalis utilise des sons que nous n’entendons pas, inférieurs à 20 Hz. Au début, nous ne percevons rien. Ensuite, associé à des harmoniques (fréquences plus aiguës), nous ne percevons que de lentes oscillations.

– D’autre part la tessiture de la musique (pour l’essentiel inférieure à 200 Hz) est en contradiction avec le matériel utilisé. Les haut parleurs que j’emploie (médium et aigüs) sont peu adaptés à transcrire les fréquences choisies. En plus de ne pouvoir sortir de la plupart des haut-parleurs, les basses fréquences (de par leur énergie) vont s’opposer à la sortie des fréquences plus élevées. En quelque sorte, les sons utilisés sont bien plus à côté des haut-parleurs, que les fréquences aiguës n’étaient à côté de nos oreilles dans les musiques précédentes.

 

Une musique induite.

Malgré ces caractéristiques extrêmes, il n’y aura pas : « rien à entendre », mais une chose est certaine, la musique diffusée de la sorte est très éloignée de celle enregistrée. L’auditeur est placé au centre d’un dispositif : la pièce, organisée comme un résonateur, mis en vibration par la musique de la bande magnétique (celle-ci étant peu perçue). La musique est donc une musique induite bien plus qu’une musique directe (dispositif habituel d’écoute).

La musique perçue sera, au sens propre, celle des haut-parleurs (et de la pièce) bien plus que celle qu’on leur envoie. Une distorsion ne manquera pas d’apparaître entre le résultat effectif et le résultat prévu (en fonction de mes expériences précédentes et du lieu choisi). La bande magnétique à été composées en fonction des caractéristiques du lieu constitué de planchers et de lambris.

 

Devant ce travail résolument expérimental, peut-on encore parler de musique? Prenons l’élément le plus préhensible, la partie fixée sur bande magnétique. Il s’avère que les principales notions qui définissent le musical, les notions de rythme, de timbre perdent ici tout leur sens. Le rythme devient difficile à cerner quand les attaques trop graves s’amollissent et s’effacent. Un timbre privé de ses harmoniques (qui le définissent), n’est plus qu’un son fondamental isolé, pauvre, ayant perdu toute identité. A fortiori, dans cette gamme de fréquences, les notions de tonalité ou d’harmonie n’ont également plus de sens.

Malgré ces faits, ou plutôt cette incapacité du langage musical, j’aimerais être encore autorisé à parler en termes de musique. Au-delà des sons induits (ceux qui sont perçus), il ne faut pas oublier la musique sous-jacente qui n’est pas perçue, et moi qui l’ai faite, moi qui la connais, j’ai envie de vous en parler. Et comment mieux vous en parler qu’en disant qu’elle est très belle, très douce? Comment mieux vous en parler qu’en vous la décrivant pour vous permettre de l’imaginer : une musique éminemment organique, une musique qui n’est constituée que de ventres, de nœuds et de battements?

-Installation 7 : 60 haut-parleurs

-Disposition dans une salle en plancher et lambris, sur l’escalier d’accès et dans le vide jusqu’à l’étage inférieur.

-durée d’exposition de 3 jours.

Dans le cadre d’une manifestation/exposition collective avec : Charrier Olivier, Guionnet Jean luc, La casa Eric, Loilieux Eric , Maupoux Cécile, Medosem, Pouzolles Caroline…

Création de la musique Oxalis, co-production La Grande Fabrique (Dieppe) Février 1994.

 

OXALIS    60 : 00

 

 

 

 

1995

EPILOBE

Hôtel du Commerce, rue des Cinq Diamants, Paris 13ème :

-du 10 au 30 juin 1995 de 10 à 18h (Le dimanche ouverture à 14h)

-Dans le cadre de la manifestation : Urbain 1 : 15 artistes autour d’un réverbère

avec Paul Bloas, Sophie Gillery, Katsuji Kisida, Erin Lawlor, Florian Le Hir, Gustavo Nieto…

 

Pour Epilobe, j’investis l’Hôtel du Commerce, de la cave au deuxième étage, déployant un environnement sonore constitué de 100 à 200 haut-parleurs. A strictement parler, mon travail n’intervient pas à l’échelle du quartier, mais se concentre sur un point de celui-ci, entre dans l’intimité d’un lieu. Intimité toute relative puisqu’il s’agit d’un lieu privé, mais ouvert au public, un bar, un hôtel.

Un quartier ne se définit pas seulement par un ensemble de rues et d’îlots. Le quartier existe aussi derrière les murs et les portes, dans le sous-sol, sous les planchers et les combles. L’identité de la Butte au Caille ne réside pas seulement dans ses rues pavées où le kitsch d’une inscription « Fabrique de chaussures et galoches ». Un quartier peut se définir également dans le grain de sa pierre ou la nature de sa poussière.  Je ne travaille donc pas à l’échelle globale du quartier, mais à celle de ses composants, essayant de vous faire pénétrer un lieu et de vous faire éprouver ses constituants.

L’hôtel du Commerce, inutile de chercher dans l’annuaire, vous ne l’y trouverez pas, il n’est pas abonné au téléphone. Il s’agit pourtant bien d’un hôtel avec son bar, des chambres à louer. Le visitant, j’ai vu une porte entre ouverte. Je suis entré. Il s’agissait de l’une des chambres de l’hôtel comme pouvait l’attester la fiche de la préfecture de police avec le prix etc.… Le lit était défait, une chaise renversée dessus, de la monnaie sur la cheminée, un journal « l’équipe » posé à terre, l’odeur… tout me faisait penser à la proximité du départ de son occupant. Le propriétaire devait vite me détromper, m’apprenant que cette chambre n’avait plus été occupée depuis deux ans.

Le lieu d’Epilobe, ici cet hôtel, peut être simple, double, multiple, peu importe, l’essentiel pour mon propos est qu’il ne soit pas neutre et s’il est désaffecté, qu’il conserve les traces de son activité, la superposition de ses précédents usages sur les murs, l’usure du plancher, la crasse déposée par le temps et le travail. En un mot, l’important est qu’il soit vivant (même s’il était, avant notre arrivée, un peu en sommeil). Un environnement comme Epilobe ne cherche pas un lieu vide, un lieu neutre, bref un lieu mort telle une galerie, pour se mettre en valeur. Il ne vise pas à s’imposer face à un espace, mais cherche à croiser un dialogue avec lui. L’élément technologique de l’environnement, par exemple, associe ses caractéristiques à celles du lieu, en souligne certaines et le ramène à la vie.

La musique ici est présente, non pas que nous l’entendions (nous ne l’entendons qu’à peine) mais plutôt elle constitue le révélateur d’un lieu faisant, par l’intermédiaire de ses vibrations, éprouver toutes les matières de la salle : bois, verre, fer, plâtre, toutes leurs textures : lourdes, légeres, compactes, denses…

 

Dans la cave, ceci est complété par la prise en considération des paramètres sonores fonctionnels qu’elle génère. Dans une certaine mesure ce qui est recherché c’est de faire entrer en résonance (au propre comme au figuré) un espace avec une musique. Sur le plan sonore ou visuel, Epilobe n’impose rien, Epilobe n’apporte rien (ou si peu). L’environnement n’est là que pour vous faire ressentir la matérialité ou l’immatérialité du lieu. C’est tout.

 

Les éléments musicaux sont composés à la Grande Fabrique (Dieppe). Pour Epilobe, j’ai reçu la collaboration de Eric La Casa et Jean-Luc Guionnet pour des musiques additionnelles.

 

 

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AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12582,12575,12585,12576,12584,12583,12580,12579,12581) 
LIMIT 0, 9
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FROM wp_posts 
WHERE 1=1 
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AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12582,12575,12585,12576,12584,12583,12580,12579,12581) 
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FROM wp_options 
WHERE option_name = '_transient_geoip_18.206.15.215' 
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SELECT option_value 
FROM wp_options 
WHERE option_name = 'magnovus' 
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SELECT t.*, tt.* 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
WHERE t.term_id = 233
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SELECT tr.object_id 
FROM wp_term_relationships AS tr 
INNER JOIN wp_term_taxonomy AS tt ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('nav_menu') 
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ORDER BY tr.object_id ASC
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SELECT wp_posts.* 
FROM wp_posts 
WHERE 1=1 
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AND ((wp_posts.post_status = 'publish')) 
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WHERE post_id IN (13252,14223,13248,13913,13262,13263,13261,13482,13575,13917,13446,14122,13469,13888,13981,14234,14238,16483,13250,15174,17275,13241,13242,14169,13243,13244,13466,16384) 
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AND ((wp_posts.post_status = 'publish')) 
ORDER BY wp_posts.post_date DESC
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SELECT t.*, tt.*, tr.object_id 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
INNER JOIN wp_term_relationships AS tr ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('language', 'post_translations') 
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FROM wp_options 
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FROM wp_postmeta 
WHERE post_id IN (16479,14235,14232,14221,14165,13979,13918,13914,13907,13886,13573,13477,13467,13360,13259,13257,13255,1546,1539,1530,107,1510,1460,16,14) 
ORDER BY meta_id ASC
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SELECT wp_posts.* 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (13241,13242,13243,13244,13248,13250,13252,13261,13262,13263,13446,13466,13469,13482,13575,13888,13913,13917,13981,14122,14169,14223,14234,14238,15174,16384,16483,17275) 
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AND ((wp_posts.post_status = 'publish')) 
ORDER BY wp_posts.menu_order ASC
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SELECT wp_posts.*, wp_p2p.* 
FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) 
INNER JOIN wp_p2p LEFT JOIN wp_p2pmeta AS p2pm_order ON ( wp_p2p.p2p_id = p2pm_order.p2p_id 
AND p2pm_order.meta_key = '_order_to' ) 
WHERE 1=1 
AND ( wp_term_relationships.term_taxonomy_id IN (396) ) 
AND wp_posts.post_type = 'post' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
AND (wp_p2p.p2p_type = 'post_to_portfolio' 
AND wp_posts.ID = wp_p2p.p2p_from 
AND wp_p2p.p2p_to IN (SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12574) 
AND wp_posts.post_type = 'portfolio' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
ORDER BY wp_posts.post_date DESC )) 
GROUP BY wp_posts.ID 
ORDER BY p2pm_order.meta_value+0 ASC, wp_posts.post_date DESC
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SELECT wp_posts.*, wp_p2p.* 
FROM wp_posts 
INNER JOIN wp_p2p LEFT JOIN wp_p2pmeta AS p2pm_order ON ( wp_p2p.p2p_id = p2pm_order.p2p_id 
AND p2pm_order.meta_key = '_order_to' ) 
WHERE 1=1 
AND wp_posts.post_type = 'partenaire' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
AND (wp_p2p.p2p_type = 'partenaire_to_portfolio' 
AND wp_posts.ID = wp_p2p.p2p_from 
AND wp_p2p.p2p_to IN (SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12574) 
AND wp_posts.post_type = 'portfolio' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
ORDER BY wp_posts.post_date DESC )) 
ORDER BY p2pm_order.meta_value+0 ASC, wp_posts.post_date DESC
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SELECT wp_posts.*, wp_p2p.* 
FROM wp_posts 
INNER JOIN wp_p2p LEFT JOIN wp_p2pmeta AS p2pm_order ON ( wp_p2p.p2p_id = p2pm_order.p2p_id 
AND p2pm_order.meta_key = '_order_from' ) 
WHERE 1=1 
AND wp_posts.post_type = 'product' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
AND (wp_p2p.p2p_type = 'portfolio_to_product' 
AND wp_posts.ID = wp_p2p.p2p_to 
AND wp_p2p.p2p_from IN (SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12574) 
AND wp_posts.post_type = 'portfolio' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
ORDER BY wp_posts.post_date DESC )) 
ORDER BY p2pm_order.meta_value+0 ASC, wp_posts.post_date DESC
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SELECT p2p_id, meta_key, meta_value 
FROM wp_p2pmeta 
WHERE p2p_id IN (79,80,81) 
ORDER BY meta_id ASC
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SELECT t.*, tt.*, tr.object_id 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
INNER JOIN wp_term_relationships AS tr ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('product_type', 'product_visibility', 'product_cat', 'product_tag', 'product_shipping_class', 'pa_brand', 'pa_colour', 'pa_fabric', 'pa_size', 'pa_unacd-couleur', 'parution') 
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ORDER BY t.name ASC
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FROM wp_options 
WHERE option_name = 'taxonomy_26' 
LIMIT 1
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FROM wp_options 
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FROM wp_options 
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FROM wp_options 
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FROM wp_options 
WHERE option_name = 'taxonomy_225' 
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FROM wp_options 
WHERE option_name = 'taxonomy_44' 
LIMIT 1
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SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (13140,13181,13153) 
ORDER BY meta_id ASC
0.7260
SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12578,12587,12591,12589,12588,12590,12592,12595,12596) 
AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12578,12587,12591,12589,12588,12590,12592,12595,12596) 
LIMIT 0, 9
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SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12578,12587,12591,12589,12588,12590,12592,12595,12596) 
AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12578,12587,12591,12589,12588,12590,12592,12595,12596) 
LIMIT 0, 9
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SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12582,12575,12585,12576,12584,12583,12580,12579,12581) 
AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12582,12575,12585,12576,12584,12583,12580,12579,12581) 
LIMIT 0, 9
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SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12582,12575,12585,12576,12584,12583,12580,12579,12581) 
AND (wp_posts.post_mime_type LIKE 'image/%') 
AND wp_posts.post_type = 'attachment' 
AND ((wp_posts.post_status = 'inherit')) 
ORDER BY FIELD(wp_posts.ID,12582,12575,12585,12576,12584,12583,12580,12579,12581) 
LIMIT 0, 9
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FROM wp_options 
WHERE option_name = 'jetpack_relatedposts' 
LIMIT 1
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SELECT wp_posts.*, wp_p2p.* 
FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) 
INNER JOIN wp_p2p LEFT JOIN wp_p2pmeta AS p2pm_order ON ( wp_p2p.p2p_id = p2pm_order.p2p_id 
AND p2pm_order.meta_key = '_order_from' ) 
WHERE 1=1 
AND ( wp_term_relationships.term_taxonomy_id IN (396) ) 
AND wp_posts.post_type = 'product' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
AND (wp_p2p.p2p_type = 'portfolio_to_product' 
AND wp_posts.ID = wp_p2p.p2p_to 
AND wp_p2p.p2p_from IN (SELECT wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (12574) 
AND wp_posts.post_type = 'portfolio' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
ORDER BY wp_posts.post_date DESC )) 
GROUP BY wp_posts.ID 
ORDER BY p2pm_order.meta_value+0 ASC, wp_posts.post_date DESC
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SELECT SQL_CALC_FOUND_ROWS wp_posts.ID 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID NOT IN (12574) 
AND wp_posts.post_type = 'portfolio' 
AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'tribe-ea-success' OR wp_posts.post_status = 'tribe-ea-failed' OR wp_posts.post_status = 'tribe-ea-schedule' OR wp_posts.post_status = 'tribe-ea-pending' OR wp_posts.post_status = 'tribe-ea-draft') 
ORDER BY wp_posts.post_date DESC 
LIMIT 0, 4
0.3500
SELECT FOUND_ROWS()
2.1098
SELECT wp_posts.* 
FROM wp_posts 
WHERE ID IN (17107,17099,17095,17032)
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SELECT t.*, tt.*, tr.object_id 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
INNER JOIN wp_term_relationships AS tr ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('parution', 'filters') 
AND tr.object_id IN (17032, 17095, 17099, 17107) 
ORDER BY t.name ASC
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FROM wp_options 
WHERE option_name = 'taxonomy_281' 
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SELECT option_value 
FROM wp_options 
WHERE option_name = 'taxonomy_362' 
LIMIT 1
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SELECT option_value 
FROM wp_options 
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LIMIT 1
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FROM wp_options 
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LIMIT 1
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FROM wp_options 
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LIMIT 1
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SELECT post_id, meta_key, meta_value 
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ORDER BY meta_id ASC
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SELECT * 
FROM wp_users 
WHERE ID = '2' 
LIMIT 1
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SELECT * 
FROM wp_posts 
WHERE ID = 17109 
LIMIT 1
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SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (17109) 
ORDER BY meta_id ASC
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SELECT * 
FROM wp_posts 
WHERE ID = 17101 
LIMIT 1
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SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (17101) 
ORDER BY meta_id ASC
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SELECT wp_posts.* 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.post_name = 'cb0f7a42f941987f2e8f670351811736' 
AND wp_posts.post_type = 'oembed_cache' 
AND ((wp_posts.post_status = 'publish')) 
ORDER BY wp_posts.post_date DESC
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SELECT * 
FROM wp_posts 
WHERE ID = 16538 
LIMIT 1
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SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (16538) 
ORDER BY meta_id ASC
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SELECT * 
FROM wp_posts 
WHERE ID = 16537 
LIMIT 1
0.4809
SELECT * 
FROM wp_posts 
WHERE ID = 17035 
LIMIT 1
0.5021
SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (17035) 
ORDER BY meta_id ASC
0.8788
SELECT * 
FROM wp_posts 
WHERE ID = 16585 
LIMIT 1
0.6042
SELECT * 
FROM wp_posts 
WHERE ID = 14274 
LIMIT 1
0.7119
SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (14274) 
ORDER BY meta_id ASC
0.7792
SELECT t.*, tt.* 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
WHERE t.term_id = 203
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SELECT tr.object_id 
FROM wp_term_relationships AS tr 
INNER JOIN wp_term_taxonomy AS tt ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('nav_menu') 
AND tt.term_id IN ('203') 
ORDER BY tr.object_id ASC
1.0569
SELECT wp_posts.* 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (13807,13808,13809,14202) 
AND wp_posts.post_type = 'nav_menu_item' 
AND ((wp_posts.post_status = 'publish')) 
ORDER BY wp_posts.menu_order ASC
1.0600
SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (13808,13807,13809,14202) 
ORDER BY meta_id ASC
0.9351
SELECT wp_posts.* 
FROM wp_posts 
WHERE 1=1 
AND wp_posts.ID IN (2523,2524,5863,5864) 
AND wp_posts.post_type = 'page' 
AND ((wp_posts.post_status = 'publish')) 
ORDER BY wp_posts.post_date DESC
1.7080
SELECT t.*, tt.*, tr.object_id 
FROM wp_terms AS t 
INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id 
INNER JOIN wp_term_relationships AS tr ON tr.term_taxonomy_id = tt.term_taxonomy_id 
WHERE tt.taxonomy IN ('language', 'post_translations') 
AND tr.object_id IN (2524, 5863, 5864) 
ORDER BY t.name ASC
1.1880
SELECT post_id, meta_key, meta_value 
FROM wp_postmeta 
WHERE post_id IN (2523,2524,5863,5864) 
ORDER BY meta_id ASC
1.7118
SELECT option_value 
FROM wp_options 
WHERE option_name = '_site_transient_update_plugins' 
LIMIT 1
1.0400
SELECT option_value 
FROM wp_options 
WHERE option_name = 'ithemes-updater-cache' 
LIMIT 1
Templates
[0] => themes/centum/option-tree/ot-loader.php
[1] => themes/centum/theme-options.php
[2] => themes/centum/meta-boxes.php
[3] => themes/centum/backend/widgets.php
[4] => themes/centum/backend/helpers.php
[5] => themes/centum/backend/tinymce.php
[6] => themes/centum/backend/shortcodes.php
[7] => themes/centum/backend/cssjs.php
[8] => themes/centum/backend/sidebars.php
[9] => themes/centum/backend/tgmpa.php
[10] => themes/centum/backend/class-tgm-plugin-activation.php
[11] => themes/centum/option-tree/includes/ot-functions.php
[12] => themes/centum/option-tree/includes/ot-functions-deprecated.php
[13] => themes/centum/backend/codebird.php
[14] => themes/centum-child/single-portfolio.php
[15] => themes/centum-child/header.php
[16] => themes/centum-child/sidebar-portfolio.php
[17] => themes/centum/footer.php
[18] => themes/centum/searchform.php
Globals
$_GET = array (
);

$_POST = array (
);

$_COOKIE = array (
);

$_SESSION = array (
);

$_SERVER = array (
  'SERVER_SOFTWARE' => 'Apache',
  'REQUEST_URI' => '/portfolio/environnements-sonores-3-1994-oxalis-1995-epilobe/',
  'REDIRECT_REDIRECT_UNIQUE_ID' => 'XWI3BlKlVYgAAI9Ol8wAAAAC',
  'REDIRECT_REDIRECT_SCRIPT_URL' => '/portfolio/environnements-sonores-3-1994-oxalis-1995-epilobe/',
  'REDIRECT_REDIRECT_SCRIPT_URI' => 'http://www.ericcordier.fr/portfolio/environnements-sonores-3-1994-oxalis-1995-epilobe/',
  'REDIRECT_REDIRECT_DOCUMENT_ROOT' => '/kunden/homepages/12/d577389983/htdocs',
  'REDIRECT_REDIRECT_UI_SUEXEC_DEFAULT_CHROOT_ID' => '13',
  'REDIRECT_REDIRECT_UI_SUEXEC_FSTATD_UNIXSOCKET' => '/run/ui-fstatd.suexec.socket',
  'REDIRECT_REDIRECT_UI_SUEXEC_STATISTICS_UNIXSOCKET' => '/homepages/sclientMF/http.sock.bin',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_CPU' => '40',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_MEM' => '768',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_PROCSOFT' => '10',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_PROCHARD' => '22',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_JIMDO' => '800',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_CPU_JIMDO' => '60',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_MEM_JIMDO' => '768',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_PROCSOFT_JIMDO' => '24',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL_PROCHARD_JIMDO' => '24',
  'REDIRECT_REDIRECT_DBENTRY_HOST' => 'ericcordier.fr',
  'REDIRECT_REDIRECT_DBENTRY_VALUE' => '/kunden/homepages/12/d577389983/htdocs:d0000#CPU 60 #MEM 524288 #CGI 786762 #NPROC 16 #TAID 80992020 #LANG 2 #RSCLVL 200 #STAT 1 #CHROOT 13',
  'REDIRECT_REDIRECT_DBENTRY_DOCROOT' => '/kunden/homepages/12/d577389983/htdocs',
  'REDIRECT_REDIRECT_DBENTRY_HASH' => 'd0000',
  'REDIRECT_REDIRECT_DBENTRY__CPU' => '60',
  'REDIRECT_REDIRECT_DBENTRY__MEM' => '524288',
  'REDIRECT_REDIRECT_DBENTRY__CGI' => '786762',
  'REDIRECT_REDIRECT_DBENTRY__NPROC' => '16',
  'REDIRECT_REDIRECT_DBENTRY__TAID' => '80992020',
  'REDIRECT_REDIRECT_DBENTRY__LANG' => '2',
  'REDIRECT_REDIRECT_DBENTRY__RSCLVL' => '200',
  'REDIRECT_REDIRECT_DBENTRY__STAT' => '1',
  'REDIRECT_REDIRECT_DBENTRY__CHROOT' => '13',
  'REDIRECT_REDIRECT_DBENTRY' => '/kunden/homepages/12/d577389983/htdocs:d0000#CPU 60 #MEM 524288 #CGI 786762 #NPROC 16 #TAID 80992020 #LANG 2 #RSCLVL 200 #STAT 1 #CHROOT 13',
  'REDIRECT_REDIRECT_STATUS' => '200',
  'REDIRECT_UNIQUE_ID' => 'XWI3BlKlVYgAAI9Ol8wAAAAC',
  'REDIRECT_SCRIPT_URL' => '/portfolio/environnements-sonores-3-1994-oxalis-1995-epilobe/',
  'REDIRECT_SCRIPT_URI' => 'http://www.ericcordier.fr/portfolio/environnements-sonores-3-1994-oxalis-1995-epilobe/',
  'REDIRECT_DOCUMENT_ROOT' => '/kunden/homepages/12/d577389983/htdocs',
  'REDIRECT_HANDLER' => 'x-mapp-php5.5',
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